What I Really Meant Was …
Update: Frank has written another post on this subject which is a little more level-headed and reasonable. He also had the decency to retract the part that made him seem arrogant. Seems like everyone is calming down all round. Also, dude reads his comments so fair play to him for that.
Update II: Another point of view from another independent musician. “But like I said, I’m not worried about sharing. The more people hear my stuff, the more likely the fan base is to grow, and then there are more people supporting me as best they can afford, which is what lets me do the music full time.”
So a little bit of time can make you realise that what you meant to say was not quite what you said. So, here it is. I stand by most of what I said, but not in the way I said it. I offer my unreserved apologies to Frank and his fans for the unnecessary personal attacks.
A More Reasoned Approach
I still really don’t like the idea that Frank somehow thinks that everyone who downloads music illegally is some kind of cowardly thief.
Notwithstanding the P2P study that I cited (which suggests illegal downloaders buy an additional 1/2 a CD more than average for every 12 tracks they download), there are also many legitimate situations where people cannot get hold of a piece of music by any other means. For example, a CD that is no longer stocked anywhere and isn’t available online. Are these people really the same as a shoplifter? Are they even the same as the pirate that downloads every track going and never pays for anything?
I know that Frank is probably talking about his music, which is easily available, but that’s not what he said in his post. To tar everyone equally with the same legal brush without having any regard for the grey areas that exist everywhere in life is a little harsh.
Separating out the morality and legality further: If a shop had an infinite number of items available, and the security was so lax that only 1 in a million people were ever caught, don’t you think that there would be a dramatic rise in shoplifting? I’m not saying it’s right, I’m just saying that it’s human nature. With that – and this is the moral collapse of the rising generation that he mentions – would come a more socially-acceptable idea of shoplifting. The same way smoking weed is more socially-acceptable than injecting heroin.
To be fair, Frank recognises this himself, but there is a further dimension to this with regards music.
Specifically, he bemoans the guy that emails him and says that he downloaded an album, but will definitely come to the next show and pick up a T-shirt. Frank can’t stand it because he sees it as a theft – a lost sale. But who knows if the guy would have bought the CD or not (the study suggests not)? Fact is, when he heard the music he became a converted fan!
Now, imagine if for every 10 people who download it, only one ever intended to buy it. You have one lost sale and 10 new fans. What if it was 1 in 100? Or a thousand? Think of all those potential fans you could reach if you just accepted it or, and this is where musicians get really upset, encouraged it.
Another analogy (I’ve been told I’m not very good at these, but bear with me): Internet marketers build their mailing lists because they know that the more people on their list, the more people are likely to buy. They give away stuff for free just to get the name on the list. They know that having a huge amount of fans is more important in the long run than jealously guarding their products, because having ravenous fans allows them to sell more expensive products further down the line.
Speaking of products, I also believe that Frank’s ‘basic facts of economics’ are flawed. I outline the basis of this in my previous post, but further to that, there are many situations where people created stuff that nobody wanted to pay for: Van Gogh being a famous example.
“A situation where people labour and are not reimbursed is untenable and unjust” – I agree, but many people do things (especially artistic things) who would like to be reimbursed but aren’t. Just because the thing created wasn’t free to create does not automatically mean that the creator will be reimbursed. The trick is to find ways to monetise the things surrounding the creation if the creation itself cannot be sold.
Jell-o gave away created free recipe books to give away, knowing that the recipes would encourage sales of their primary product. Books aren’t free, but they were playing the long game.
Another example: No one would pay for a flyer, yet there were design costs (in materials and people’s time), printing costs and distribution costs associated with it. The thing is with the flyer is that it’s an upsell to something more valuable.
Perhaps this is how musicians should be looking at musical tracks and P2P, instead of calling everyone who does it (which must, though reading his comments would suggest otherwise, include a large number of his fans) names.
Finally, the technology is here whether we like it or not. I guess the biggest disappointment was watching another musician seeing only the punishment and not the potential. More ears on your music can only ever be a good thing in the long run. When you have an independent, empirical study suggesting that you’re not actually losing out on sales, perhaps it’s better not to beat your fans around the head too much and embrace the potential (Trent Reznor is leading the charge in this regard).
Right, I am done with this now. This is the post I should have written in the first place…